Gone are the days when a dancer could be defined simply as a “jazz dancer” or a “ballet
dancer.” Such narrow labels no longer serve a dancer’s career or potential, and limiting
oneself to a single style can even hinder growth. In today’s world, versatility is essential. A
dancer’s ability to adapt and perform across multiple genres not only expands opportunities
but also makes them more valuable to choreographers seeking well-rounded artists.
It is essential to prepare young dancers for a market that demands flexibility. Training them to
be versatile and capable of handling a wide range of dance styles allows for better
employability. The more tools dancers have in their repertoire, the greater their chances of
securing consistent work. While not every dancer may love or excel in every style, the value
of learning different techniques—whether they are enjoyable or not—is undeniable. A broad
skill set is invaluable and gives dancers a competitive advantage others may not have.
We will always encounter students who dislike certain styles—whether ballet, tap, or
something else—but it is important to encourage them to respect each one. Teach them the
value of every genre and help them explore areas they may initially resist. Many students
have returned to me after beginning professional auditions, eager to learn the very things they
once avoided. Some even reassess skills they neglected during their pre-professional training,
realizing that a narrow focus on one type of work or performance is not always the wisest
approach. These dancers are now taking classes in acrobatics, aerial work, ethnic dance, tap,
and more to expand their range and prepare for unexpected opportunities. When a
choreographer asks, “Who can do this?” the dancer who confidently raises their hand gets the
job.
Our role as teachers is to train dancers to be adaptable. True dancers are more than
performers—they are thinkers, athletes, storytellers, and artists who bring something unique
to the table. The more diverse their skill set, the more likely they are to succeed. With so
many talented dancers, how will your students stand out at auditions? Choreographers do not
want to hear what a dancer cannot do—they want to know what they can do.
This is where you, as the teacher, come in. The only way to create versatile dancers is to be a
versatile teacher. We must continue to educate ourselves and evolve in order to meet our
students’ needs, regardless of which skills they aim to develop. Constantly challenge yourself
to introduce new concepts and techniques. Create an environment where learning is exciting
and where dancers leave your studio with a diverse set of skills that capture a choreographer’s
attention. While technique and talent are common, versatility is rare and invaluable. Teach
your dancers to be indispensable, and be the kind of teacher who inspires them to grow into
adaptable, well-rounded artists.